Good Morning operates under a thin dual semblance it exists both as animes greatest achievement and as its simultaneous saddest production.
Where Good Morning is the physical manifestation of societys arduous work it concurrently forces one to recognise that no other work will stand beside it let alone above. Such conceptual undercurrents allow it to transcend the medium Kanye transcends anime and music. This auditory and visual treat is the crest of creativity stands at the summit of ingenuity and is the epitome of brilliance. Immediately entering into Kanyes world our compelling characters so effortlessly weaved into the confronting realities of Southside Chicago Los Angeles and Ouagadougou position us plebs to sympathise with the initial negative actions our protagonist experiences. Pair this notion with the cynical and belligerent dialogue which mould the dismal world the persona lives in and... a masterpiece is emanated. Reaching the crux of our protagonists eerie endeavour through a multitude of various intertextual pieces situated across the aforementioned nations Good Morning is a triumphant declaration of professional and financial achievement. Mentally it is a biblical sermon discussing harsh traumatic themes of despair and disappointment. Paralleling the Cain and Abel parable and through its use of Conradian characterisation specifically Marlow Good Morning ultimately highlights societys agency to retreat back into its primordial obsessions. Ye underscores that even in an ostensible stable postmodernist era humans are inherently agents of chaos.
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The genius behind Yeezus song doesnt stop there it is part of a triumvirate of educational songs surrounding the album graduation with each part conspicuously stating how Ye came into this world. In this way Good Morning is a confronting autobiographical cinematic masterpiece ahead of its time an international monument.
Finally we rope this discussion back to the optically attracting animation. Had this jewel been constituted by the best studio of all time MADHOUSE truly nothing would ever past present or future top Good Morning not even another Ye song. OLM is still able to entertain and engage viewers from the very beginning of the video utilising an artillery of facial expressions to provoke intellectual thoughts disorienting viewers and invoking questions like why is the bear sad? Why is the bear confused? The specific contrasting colour palette exploited draws immediate salience then via astute vectoring we are drawn to the bears chains noticing a strong parallel to Yes own collection.
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One could argue that the Bears day is possibly worse than historic crisis alike his lambo broke down he lost his jacket and well he is eaten by clouds alluding to another analogy to the famous Dragon Balls Nimbus Cloud dating back even to the 1600s of an old tale. But like all Ye songs the bear bounces back. Good Morning isnt narratively distinguished because its depressing but because the persona embodies resilience an underused quality located in the anime verse. Surely... you are convinced to spend 3 minutes of your time to not only bask in Yes greatness but to witness it materialised through an animated medium. After all Good Morning is the pinnacle of anime stands at the acme of animation the capstone of authenticity and is the optimum piece of fiction.
An odyssey grounded in introspection but nuanced with layered questioning of what moulds the human condition?
Mr. byhisselfhesoimpressed
100
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